The critical review is intended to demonstrate your
awareness and understanding of how your own and other illustrators’ work and ideas relates
to the wider cultural picture. It should demonstrate a critical and contextual understanding of
how your work fits into a broader framework of practices and explore the ideas that underpin
some of these.
Your critical review is an opportunity to:
• explore in greater depth a topic or theme that has informed your journey throughout this
course, for example the work or ideas of a particular illustrator, an area of illustration
practice, a body of work that demonstrates certain ways of working
• demonstrate that you’ve developed academically as well as creatively.
Your written work should pull together all your hard work throughout the course. Think of
your critical review as an extension of your creative practice – it should explore the same
research questions but answer them through your written work. You’re not expected to impart
encyclopaedic knowledge on the subject of illustration, but rather to show an informed
engagement with – and an understanding of – some of the ideas that have been explored
through this course.
Use your primary source material as your starting point (i.e. your own work and accompanying
reflections on your practice and studies, etc.) and develop this into a 2,000 word critical
review using your collection of secondary source material (your analytical notes, bibliographic
references, annotated images, notes on illustration practices and history) gained through
reading and researching into the subject.
History and development of digital art.
Programmes for sketching, drawing and painting. For high resolution output.
Procreate – export psd
ArtRage – has desktop
Sketchbook Pro – has desktop version. Has text.
Auryn Ink – export flat png eg to artrage
SketchClub – export psd to photoshop?
Not Paper 53 or Sketches etc for journalling? Or can I convert to hi res in Photoshop? Not Adobe Draw? Adobe sketch?
. ArtRage and Ketchboik pro
- Advantages of digital
Can zoom in and out. And get really very fine detail that is very difficult in analogue media. Much more control eg of transparency.. With blending and fine colour subtlety. If the image resolution is higher.
See eg artrage eye.
Can mix different media in many more ways. Different texturing.
Need high processing power to completely simulate eg watercolour.
Line is less dynamic and controllable.
Bringing in randomness.
Colours at disposal. Mixing, blending. Combinations. Don’t get muddy. Different ease of accessing the colours for speed, some eg artrage have colour palette all the time. Others like Procreate you have to bring up. Get colours from image. Artrage can clone to trace.
Specific media issues:
Sketching and pencil
Black and white charcoals and ink
Pastels and chalk
Taking photos and reference materials.
Can sketch in airports and people think you are just using your ipad.
- What cant’t do in iPad
Text need Photoshop. But dedicated paint programmes much better.
Animation in Photoshop or premiere or After Effects.
Corel Painter watercolour, liquify etc.
- Use of analogue. As basis for digital development. More dynamism. Paint bleeds and interactions etc. Fun. Collage and 3D.
Ergonomics and interface with RSI and eyesight.
- Work on top of digital printouts. Try different types of paper. Use lighting effects on photos. And work back in.
Ipad Artroom: http://www.ipadartroom.com
iPad Art: Lessons, Apps and Ideas for the iPad in Visual Art Cathy Hunt: ebook on using iPad for classroom art education for Apple download
Creative Bloq January 2017: http://www.creativebloq.com/digital-art/art-on-the-ipad-1232669
Digital Art April 2017 : http://www.digitalartsonline.co.uk/features/illustration/12-best-apps-for-drawing-painting-on-ipad/
Digital Trends: June 2017: https://www.digitaltrends.com/mobile/best-ipad-pro-drawing-apps/
Michelle Brown: http://oldcellsstudio.blogspot.co.uk/search/label/iPad
Adobe Illustrator Draw is a vector drawing app designed for quickly sketching out ideas and concepts. Zoom up to 64x to apply fine details and customise your toolbar and brushes. You can draw perfectly straight lines and geometric shapes, rename layers, and use shapes from Adobe Capture CC. An enhanced perspective grid also lets you map shapes to a perspective plane. Has 13 tools, a digital ruler, and graph guides. You can import your own images or stock photos to work on and for tracing and collage. Using the Creative Cloud connection, you can send a file to Photoshop CC or Illustrator CC on your PC or share your art with the Behance creative community.
ASKetch is a black & white charcoal drawing app. It’s a simple app designed to make you forget about the tools and just draw, using intuitive multi-touch gestures to help you achieve the desired result. It opens straight to a blank canvas. You can start sketching immediately, using the pinch to zoom gesture to get a bigger or smaller line. Tapping at the bottom of the canvas will bring up the tools menu, which is very basic. You can choose between a smooth or rough brush, and you’ll also get an eraser. The undo and redo tool is handy, and you can also access your other sketches from there.
Artrage: variety of canvas presets and paper options, plus a wide array of brushes, pencils, crayons, rollers, and pastels. You can paint directly onto the screen or apply a glob of paint with one tool and smear it around with another. ArtRage also features a dedicated watercolour brush option, which can produce some striking effects. Experiment with the ArtRage digital canvas by smearing, blending oils and watercolour. The app is smart enough to detect the roughness of your paper so your pencils can be used for soft shading. Add layers to your work without damaging others with a range of Layer Blend Modes, import photos and convert them to oil for smearing or use as reference images, or trace over images. Once you’ve familiarised yourself with the interface, it’s easy to change brush sizes, bring up the colour picker, work with layers and blend/smudge different elements together.The main idea of Artrage is to make painting as real as possible on the iPad. You can mix paints with one another as though you were manipulating them on a real canvas. This app works with layers, and if you’re already familiar with Photoshop, you’ll feel right at home with the blend modes. Artrage also allows you to record your drawing for later viewing on the desktop.
ArtStudio: over 20 different brushes, various different canvas sizes and options that include layers, layer masks, filters and effects. ArtStudio also includes step-by-step drawing lessons/tutorials plus the handy ability to export your artwork to Photoshop for further fiddling.
Auryn Ink: for watercolour painting. You can pick different tip shapes for the brushes and specify different bristle effects. You can also adjust the texture of the canvas and the amount of water on your brush.
Brushes Redux: used by David Hockney. Using a basic toolbar at the bottom of the screen, you can bring up a colour wheel/picker, work with layers and switch between various brushes. Brushes is fast and responsive to the touch so it’s easy to work quickly. Can record brush strokes. You can only create up to 10 layers.
Comic Draw: by plasq, enables you to build an entire comic narrative inside the app – from concept sketches to colour and lettering. It has a digital sketchpad for original ideas, and also inking and colouring with a variety of brushes to finish your concepts. Lay out different panels on your page and use layers to build your drawings. Add as many pages as you want to create a comic strip, books or even graphic novel. To finish off, add words with Comic Draw’s lettering suite made up of different typefaces, balloons and design tools. Comics can be shared on the on-line community Comic Connect.
Inkist: by Tai Shimizue is a painting app with a range of simple, customisable brushes with support for pressure-sensitive styluses.The interface is simple, with minimal taps required to switch between tools, The apps features three layers with blend modes, opacity, and opacity-locking settings. You can then export your work as a PNG, PSD, proprietary ISImage file format and as individual layer files.
Inspire Pro: from Canada-based SnowCanoe’s has 60 high-quality brushes to choose from, divided into six sets: oil paint, airbrushes, basic shapes, graphite pencils, wax crayons and markers. And these can all be used as a wet or dry brush or eraser to create fast and realistic painting, drawing and sketches. Dynamic colour picker Adjusting the paint load and customising brushes (by rotating the bristle pattern) becomes second nature. Add a subtle blur, use Canvas Playback to watch your paintings unfold, use dual textured brushes, customise your canvas size.
MediBang Paint includes many different creative tools for illustrators and comic book artists. Some of these include, numerous brushes, screentones and backgrounds, cloud fonts and comic creation tools. Finally registering on MediBang’s site for free gives users access to cloud storage so they can easily manage, backup and share their work.
Paper 53: quick sketches for a selection of virtual journals, with pages to thumb through for easy viewing. Has diagramming and note-taking tools in addition to the standard creative tool suite it’s always had. Tools are a watercolor brush, calligraphy pen, pencil, marker, ballpoint pen, eraser, paint roller, scissors, and a ruler. You can import or take pictures, and mark them up with text or drawings. Upload to FiftyThree’s creative community Mix.
Photoshop Sketch: features 14 tools, including a graphite pencil, ink pen and watercolour brushes, with adjustable size, colour, opacity and blending settings. You can layer and rearrange your images, use perspective and graph grids to help align your creations. Export your work to Illustrator or Photoshop CC.
Pixelmator: to enhance or touch up photography, paint detailed, layered images from scratch. It has more than 90 brushes (including double-texture brushes), watercolours, and the pixel brush. Graphic design features include using blending layers, shapes and text, whilst adding features like shadows, outlines and gradient fills and a range of effects including kaleidoscope.
Procreate: professional software from Savage Interactive won the Apple Design Award and the App Store Essential. It has a built-in brush editor for creating custom brushes, which enable you to define brush shape and grain. On the Pro, it can go up to 16K resolution with 64-bit color, and you can export your artwork as PSD, PNG, JPG, or Procreate files. The app also lets you record videos of your art and helps you build a portfolio and share your work, if you so desire.
SketchBook (Autodesk) has a wide range of digital pencils, pens, markers, and airbrushes to choose from, all accessed via a simple but intuitive UI that lets you pin toolbars to the screen for easy access.
SketchBook Ink preset brushes aren’t editable apart from their size, and there are no layers (besides the option to add a photo as a background layer). very high output resolution. You can export images to iTunes at up to 101.5 megapixels (8727 pixels x 11636 pixels) or your Photo app at up to 4096 pixels x 3072 pixels. Although exported files are flat PNGs, not editable vector files, the images are still very high quality.
Sketch Club has a community of artists with whom you can share your art. You’ll also be able to comment on everyone’s work and get inspiration. Lets you create 64 layers in total, and canvases that are up to 4K in resolution. Wide selection of brushes and vector tools, this is a full-fledged drawing app. It has full support for the Apple Pencil and the ability to record in 1080p.
Tayasui Sketches Pro eight brushes along the left-hand side, with pencil, rotring, watercolor brush, felt pen, and eraser for free and more brushes and size, shape and blend controls and paper types to buy. You can import photos, too, if you want. You can organize your sketches and creations into different notebooks in the app.
Zen Brush: traditional Japanese calligraphy brushes. Gallery feature that enables you to save your work in progress, as well as an ink dispersion effect to give your drawings an added feeling of depth. Uses black and red ink.
Animation Desk Cloud: Animation Desk Cloud isn’t a new app, but is now compatible with the Apple Pencil.
I found choosing one topic quite difficult – I started by considering going into more detail on media like pencil, or more broadly Black and White, or visual Dynamics of Colour. I also thought about looking more at graphic novels and narrative. But as Assignment 2 progressed and I experimented more with my iPad, then drew on different types of workflow I had started to look at in the Hybrids project, I felt that I could incorporate at least the media explorations into this.
I have already used many different types of sequencing in the projects in Assignments 1 and 2.
- In Hybrids in some cases I started with photographs, printed these and then painted and/or scratched into the image. In other cases I started in Illustrator and printed. In others with drawings.
- Most of my work for Assignment 2 starts with pencil sketches or crayon drawings. These are then further developed digitally using Procreate or Photoshop, using different digital techniques and effects.
- In Assignment 3 I am thinking of mostly start with ink or printmaking – using different ink techniques and markmaking – and then tidy up and bring together as narrative in Photoshop. Some work may be done in Illustrator, then inked.
- In Assignment 4 I am aiming to explore collage and digital montage in more detail, using drawings and printmaking as well as manipulated photos.
I also explore different ways of combining analogue and digital techniques in my Book Design course – suing scanning and different types of paper.
Most of the other illustrators I have looked at so far have worked in a specific medium and then just tidied up in Photoshop, or worked entirely digitally. In Assignment 2 I have also looked at illustrators who combined techniques in more interesting ways in:
I am intending to look out many more.
What I want to look at are different types of sequencing of analogue and digital workflow, focusing on a number of interlinked key questions:
- how far can I push digital software (Illustrator, Photoshop and Procreate) to make different types of mark, texture and colour?
- what is best started digitally then printed and finished with analogue media?
- what does different sequencing mean for the types of mark and texture recorded on location, or analogue work like printmaking? is it best to just do tonal drawings with colour notes? or to do colour drawings and paintings?
This will help me to develop a flexible range of techniques that can help me to express different subject matter in different ways, while maintaining a coherence of approach and voice.