M C Escher

Sources:

Official website: http://www.mcescher.com

Piller, M., Elliott, P. & Peterse, F. 2015. The Amazing World of M.C.Escher, Edinburgh, UK, National Galleries of Scotland.

Wikipedia

Maurits Cornelis Escher (1898-1972)  played with architecture, perspective and impossible spaces. He aimed to show reality is wondrous, comprehensible and fascinating. During his lifetime, made 448 lithographs, woodcuts and wood engravings and over 2000 drawings and sketches. Apart from being a graphic artist, M.C. Escher illustrated books, designed tapestries, postage stamps and murals.

Perspective

Hand with Reflecting Sphere
Tower of Babel

Impossible constructions

 

Convex and Concave
Still Life and Street

Transformation Prints

Day and Night

Realism

He also made more realistic work during the time he lived and traveled in Italy. Castrovalva for example, shows Escher’s fascination for high and low, close by and far away. The lithograph Atrani, a small town on the Amalfi Coast was made in 1931, but comes back for example, in his masterpiece Metamorphosis I and II.

Geoff Grandfield

Sources:

Website http://geoffgrandfield.co.uk . (see particularly Narrative)

Caustic Cover Critic Interview

Geoff Grandfield is a British illustrator now living in London. He has worked with major newspapers and publishers since 1987.

Influenced by the cinematography of film noir and the reductivism of modernist graphic art, his work is characterised by carefully composed minimalist silhouettes and limited palette, exaggerated perspective and scale contrasts. The bold shapes and perspective have a very strong immediate impact. Other meanings and shapes are often hidden and it is only by following the lines that the meaning of images become revealed.

Grandfield draws with chalk pastel, usually the German make Schminke, and sometimes Talens. “When I work for black and white reproduction I use tones of grey. The tones have some ‘colour’ in them, but mostly I’m going by the weight and contrast between areas. Colour is another thing and I try to prioritise a particular set of colours for a result.” Since 2001 he has been using Photoshop to scan and prepare for reproduction, which in turn has changed the visual look of my work. He scans his originals at A4.

Flattened perspective

Towards the Houses
Home project
He was Already Dead
The man within

Narrative

The Captain and the Enemy
The Honorary Consul
Our man in Havana

Fashion

Fashion invite 2013
Fashion invite 2014
Fashion invite 2011
Fashion invite 2008