MediBang Paint is a FREE lightweight digital painting and comic creation program. It has:
numerous brushes: Airbrush, Pencil, Watercolor, G Pen, Mapping Pen, Sumi, Flat Brush, Round Brush, Acrylic, School Pen, Turnip Pen, Drawing Pen, and Soft Pastel to Multi Brushes like the Salad Brush. Force Fade in and Out makes your lines sharp even if you’re drawing with your fingers. Has snap guides and pen correction tools.
comic creation tools: Just dragging across the canvas can divide a panel into more panels. You can transform or add colour to panels after you create them.
layers including ability to import and draw on top of a photo
pre-made backgrounds, screentones, textures and word balloons.
As well as iPad, it is available on Windows, Mac OS X and Android. Registering on MediBang’s site for free gives users access to cloud storage so they can easily manage, backup and share their work.
Catherine Anyango uses film, sculpture and mise-en-scene devices to reconstruct physical environments that are disrupted by psychological, intangible phenomena. Many of her images are powerful graphite black and white drawings, often dealing with political issues.
Heart of Darkness 2010, a graphic novel adaptation of Conrad’s novel about colonialism
She has produced live film events around London, including the Victoria & Albert Museum and the National Film Theatre.
Current projects look at the emotional manifestations of crime and guilt upon public and private space.
In upcoming graphic novel 2×2 the banality of corruption affects the physical structure of a city and in recent drawings of crime scenes and police violence the images act as subjective evidence of horror.
She studied at St Martins and the Royal College of Art followed by an MA in English Literature at UCL. Since then she has exhibited at Art Basel Miami Beach, the London Design Festival, Guest Projects and Design Miami Basel. She is currently a Tutor in Visual Research at the Royal College of Art.o
Shaun Tan is a graphic illustrator of very poignant short allegorical graphic novels whose work I very much admire. The strength is in the combination of very strong visual dynamics and simplification, coupled with a high level of artistic skill. His recent work uses maquettes and puppets.
Shaun Tan is an Australian artist, writer and film maker. He won an Academy Award for The Lost Thing, a 2011 animated film adaptation of a 2000 picture book he wrote and illustrated. Beside The Lost Thing, The Red Tree and The Arrival are books he has written and illustrated. These have different but distinctive approaches to layout and combining image and text. Some of these have been animated – either straight animation of the illustrations with types text, or CGI.
His artistic process
Initially, Tan works in black and white because the final reproductions would be printed that way. Some black and white mediums he uses include pens, inks, acrylics, charcoal, scraperboard, photocopies, and linocuts.
Tan’s current colour works still begin in black and white. He uses a graphite pencil to make sketches on ordinary copy paper. The sketches are then reproduced numerous times with different versions varying with parts added or removed. Sometimes scissors are used for this purpose. The cut and paste collage idea in these early stages is often extend to the finished production with many of his illustrations using such materials as “glass, metal, cuttings from other books and dead insects”.
Tan describes himself as a slow worker who revises his work many times along the way. He is interested in loss and alienation, and believes that children in particular react well to issues of natural justice.