Russian concept artist who does a lot of his work in Procreate.
interesting how he uses his fingers. To get variation here need to set velocity settings.
Russian concept artist who does a lot of his work in Procreate.
interesting how he uses his fingers. To get variation here need to set velocity settings.
!!I have used this quite a lot, but not yet sorted all my the images out.I find it best for sketching and portraits.
SketchBook (Autodesk) is one of the earliest iPad Aps, but has been kept up to date. From available images on he web it is obvious it can produce very professional illustrations. It combines raster and vector features with:
Better for comic inking
Paper 53 is good for quick sketches for a selection of virtual journals, with pages to thumb through for easy viewing. It has a very limited number of fixed setting brushes: watercolour brush, calligraphy pen, pencil, marker, ballpoint pen, eraser, paint roller, scissors, and a ruler. But these are enough to do interesting sketches with a distinctive style. It has a really useful and accessible mixer palette to enable the focus to be on colour gradation rather than getting too bound up with brush styles.
You can import or take pictures, and mark them up with text or drawings. Upload to FiftyThree’s creative community Mix.
The recent version has diagramming and note-taking tools in addition to the standard creative tool suite it has always had.
VERY preliminary experiments, curtailed by RSI. To be applied to relevant projects in the course. See Review.
ArtRage has a variety of brushes, pencils, crayons, rollers, and pastels. It has:
Drawings can be recorded for later viewing on the desktop.
Pixelmator combines photo editing and painting tools. It is most useful for enhancing or touching up photography on the iPad, with rudimentary painting and basic text. It has:
One of my favourite uses is to make beautiful kaleidoscope patterns from paintings and/or photographs.
website: http://www.hockneypictures.com – NB strict copyright so videos only are shown here
Barringer, T., Devaney, E., Drabble, M., Gayford, M., Livingstone, M. & Salomon, X. F. 2012. David Hockney: A Bigger Picture, London, Royal Academy of the Arts.
Hudson, T. 2004. Hockney’s Pictures, Thames & Hudson.
Stevens, C. & Wilson, A. (eds.) 2017. David Hockney, London: Tate Enterprises.
Hockney is important for many aspects of my illustration work:
Hockney is particularly interested in the process of seeing. This includes his examination of use of one-point perspective by ‘old masters’, and particularly the more isometric perspective used in Chinese scroll art.
Hockney has often experimented in his paintings with brilliant and vibrant colour combinations as in exhibitions at the Tate Britain and Royal Academy.
Born with synesthesia, Hockney sees synesthetic colours in response to musical stimuli. This does not show up in his painting or photography artwork, but is a common underlying principle in his designs for stage sets for ballet and opera—where he bases background colours and lighting on the colours he sees while listening to the piece’s music.
Photographs do not see space. We see space. Without vanishing points
In the early 1980s, Hockney began to produce photo collages, which he called “joiners”, first using Polaroid prints and subsequently 35mm, commercially-processed color prints. Using Polaroid snaps or photolab-prints of a single subject, Hockney arranged a patchwork to make a composite image. An early photomontage was of his mother. Because the photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, one of Hockney’s major aims—discussing the way human vision works. Some pieces are landscapes, such as Pearblossom Highway #2, others portraits, such as Kasmin 1982, and My Mother, Bolton Abbey, 1982.
Creation of the “joiners” occurred accidentally. He noticed in the late sixties that photographers were using cameras with wide-angle lenses. He did not like these photographs because they looked somewhat distorted. While working on a painting of a living room and terrace in Los Angeles, he took Polaroid shots of the living room and glued them together, not intending for them to be a composition on their own. On looking at the final composition, he realized it created a narrative, as if the viewer moved through the room. He began to work more with photography after this discovery and stopped painting for a while to exclusively pursue this new technique. Frustrated with the limitations of photography and its ‘one eyed’ approach, however, he returned to painting.
In December 1985, Hockney used the Quantel Paintbox, a computer program that allowed the artist to sketch directly onto the screen. Using the program was similar to drawing on the PET film for prints, with which he had much experience. The resulting work was featured in a BBC series that profiled a number of artists.
Since 2009, Hockney has painted hundreds of portraits, still lifes and landscapes using the Brushes iPhone and iPad application, often sending them to his friends. His show Fleurs fraîches (Fresh flowers) was held at La Fondation Pierre Bergé in Paris. A Fresh-Flowers exhibit opened in 2011 at the Royal Ontario Museum in Toronto, featuring more than 100 of his drawings on 25 iPads and 20 iPods. In late 2011, Hockney revisited California to paint Yosemite National Park on his iPad. For the season 2012–2013 in the Vienna State Opera he designed, on his iPad, a large scale picture (176 sqm) as part of the exhibition series Safety Curtain, conceived by museum in progress.
David Hockney’s portraits in crayon, ink, water colour and paint show an amazing sensitivity in treatment and line.
In October 2006 National Portrait Gallery in London organized one of the largest ever displays of Hockney’s portraiture work, including 150 paintings, drawings, prints, sketchbooks, and photocollages from over five decades. The collection ranged from his earliest self-portraits to work he completed in 2005. Hockney assisted in displaying the works and the exhibition, which ran until January 2007, was one of the gallery’s most successful.
Background links for iPad Explorations: Critical Review
Adobe Illustrator Draw is a vector drawing app designed for quickly sketching out ideas and concepts. Zoom up to 64x to apply fine details and customise your toolbar and brushes. You can draw perfectly straight lines and geometric shapes, rename layers, and use shapes from Adobe Capture CC. An enhanced perspective grid also lets you map shapes to a perspective plane. Has 13 tools, a digital ruler, and graph guides. You can import your own images or stock photos to work on and for tracing and collage. Using the Creative Cloud connection, you can send a file to Photoshop CC or Illustrator CC on your PC or share your art with the Behance creative community.
AKSketch is a black & white charcoal drawing app. It’s a simple app designed to make you forget about the tools and just draw, using intuitive multi-touch gestures to help you achieve the desired result. It opens straight to a blank canvas. You can start sketching immediately, using the pinch to zoom gesture to get a bigger or smaller line. Tapping at the bottom of the canvas will bring up the tools menu, which is very basic. You can choose between a smooth or rough brush, and you’ll also get an eraser. The undo and redo tool is handy, and you can also access your other sketches from there.
Artrage: variety of canvas presets and paper options, plus a wide array of brushes, pencils, crayons, rollers, and pastels. You can paint directly onto the screen or apply a glob of paint with one tool and smear it around with another. ArtRage also features a dedicated watercolour brush option, which can produce some striking effects. Experiment with the ArtRage digital canvas by smearing, blending oils and watercolour. The app is smart enough to detect the roughness of your paper so your pencils can be used for soft shading. Add layers to your work without damaging others with a range of Layer Blend Modes, import photos and convert them to oil for smearing or use as reference images, or trace over images. Once you’ve familiarised yourself with the interface, it’s easy to change brush sizes, bring up the colour picker, work with layers and blend/smudge different elements together.The main idea of Artrage is to make painting as real as possible on the iPad. You can mix paints with one another as though you were manipulating them on a real canvas. This app works with layers, and if you’re already familiar with Photoshop, you’ll feel right at home with the blend modes. Artrage also allows you to record your drawing for later viewing on the desktop.
ArtStudio: over 20 different brushes, various different canvas sizes and options that include layers, layer masks, filters and effects. ArtStudio also includes step-by-step drawing lessons/tutorials plus the handy ability to export your artwork to Photoshop for further fiddling.
Auryn Ink: for watercolour painting. You can pick different tip shapes for the brushes and specify different bristle effects. You can also adjust the texture of the canvas and the amount of water on your brush.
Brushes Redux: used by David Hockney. Using a basic toolbar at the bottom of the screen, you can bring up a colour wheel/picker, work with layers and switch between various brushes. Brushes is fast and responsive to the touch so it’s easy to work quickly. Can record brush strokes. You can only create up to 10 layers.
Comic Draw: by plasq, enables you to build an entire comic narrative inside the app – from concept sketches to colour and lettering. It has a digital sketchpad for original ideas, and also inking and colouring with a variety of brushes to finish your concepts. Lay out different panels on your page and use layers to build your drawings. Add as many pages as you want to create a comic strip, books or even graphic novel. To finish off, add words with Comic Draw’s lettering suite made up of different typefaces, balloons and design tools. Comics can be shared on the on-line community Comic Connect.
Inkist: by Tai Shimizue is a painting app with a range of simple, customisable brushes with support for pressure-sensitive styluses.The interface is simple, with minimal taps required to switch between tools, The apps features three layers with blend modes, opacity, and opacity-locking settings. You can then export your work as a PNG, PSD, proprietary ISImage file format and as individual layer files.
Inspire Pro: from Canada-based SnowCanoe’s has 60 high-quality brushes to choose from, divided into six sets: oil paint, airbrushes, basic shapes, graphite pencils, wax crayons and markers. And these can all be used as a wet or dry brush or eraser to create fast and realistic painting, drawing and sketches. Dynamic colour picker Adjusting the paint load and customising brushes (by rotating the bristle pattern) becomes second nature. Add a subtle blur, use Canvas Playback to watch your paintings unfold, use dual textured brushes, customise your canvas size.
MediBang Paint includes many different creative tools for illustrators and comic book artists. Some of these include, numerous brushes, screentones and backgrounds, cloud fonts and comic creation tools. Finally registering on MediBang’s site for free gives users access to cloud storage so they can easily manage, backup and share their work.
Paper 53: quick sketches for a selection of virtual journals, with pages to thumb through for easy viewing. Has diagramming and note-taking tools in addition to the standard creative tool suite it’s always had. Tools are a watercolor brush, calligraphy pen, pencil, marker, ballpoint pen, eraser, paint roller, scissors, and a ruler. You can import or take pictures, and mark them up with text or drawings. Upload to FiftyThree’s creative community Mix.
Photoshop Sketch: features 14 tools, including a graphite pencil, ink pen and watercolour brushes, with adjustable size, colour, opacity and blending settings. You can layer and rearrange your images, use perspective and graph grids to help align your creations. Export your work to Illustrator or Photoshop CC.
Pixelmator: to enhance or touch up photography, paint detailed, layered images from scratch. It has more than 90 brushes (including double-texture brushes), watercolours, and the pixel brush. Graphic design features include using blending layers, shapes and text, whilst adding features like shadows, outlines and gradient fills and a range of effects including kaleidoscope.
Procreate: professional software from Savage Interactive won the Apple Design Award and the App Store Essential. It has a built-in brush editor for creating custom brushes, which enable you to define brush shape and grain. On the Pro, it can go up to 16K resolution with 64-bit color, and you can export your artwork as PSD, PNG, JPG, or Procreate files. The app also lets you record videos of your art and helps you build a portfolio and share your work, if you so desire.
SketchBook (Autodesk) combines raster and vector features. It has a wide range of digital pencils, pens, markers, and airbrushes with ability to pin toolbars to the screen for easy access. It has text , distort and shape features together with image import and video export.
SketchBook Ink preset brushes aren’t editable apart from their size, and there are no layers (besides the option to add a photo as a background layer). very high output resolution. You can export images to iTunes at up to 101.5 megapixels (8727 pixels x 11636 pixels) or your Photo app at up to 4096 pixels x 3072 pixels. Although exported files are flat PNGs, not editable vector files, the images are still very high quality.
Sketch Club has a community of artists with whom you can share your art. You’ll also be able to comment on everyone’s work and get inspiration. Lets you create 64 layers in total, and canvases that are up to 4K in resolution. Wide selection of brushes and vector tools, this is a full-fledged drawing app. It has full support for the Apple Pencil and the ability to record in 1080p.
Tayasui Sketches Pro eight brushes along the left-hand side, with pencil, rotring, watercolor brush, felt pen, and eraser for free and more brushes and size, shape and blend controls and paper types to buy. You can import photos, too, if you want. You can organize your sketches and creations into different notebooks in the app.
Zen Brush: traditional Japanese calligraphy brushes. Gallery feature that enables you to save your work in progress, as well as an ink dispersion effect to give your drawings an added feeling of depth. Uses black and red ink.
Creatively I have always found the natural world my biggest inspiration; most of my artistic lessons have been drawn directly from close observation and study of organic material. I also am fascinated by the inner worlds of the imagination and my work is an attempt to bridge the gap between the two.
He produces both digital and traditional painting, also printmaking (mostly abstract collage) and sculpture. His digital work is very detailed fantasy studies of insects and monsters. It is not clear whether these are all in Procreate, or Photoshop.
Facebook page: https://www.facebook.com/Danny-Glasgow-Art-513568065481573/
Danny Glasgow has produced a lot of tutorials, but with a rather conventional style.