distinctive quirky illustrations: oil paint, watercolour, lithographs. Pencil on oil. Or pencil and watercolour.
I paint Paris how I want it to look. A Paris drawn from films, books, poems. Fewer cars, less noise and stress, better clothes, nicer notice boards – or that’s what I like to imagine. I use selective vision.
flat and skewed perspective. A lot of neutral pastel colours.
somewhat randomly inserted. Different sizes. Captions give title, medium and size – as if they are to be sold???
somewhat random text. In chapters, but without clear narrative. Little vignettes with illustration.
how I see paris
Interview with Tessa Newcomb
Giorgio de Chirico (1888 – 1978) was an Italian artist and writer most famous for the eerie mood and strange artificiality of the cityscapes he painted in the 1910s. His style is characterised by haunting empty streets with multiple vanishing points, shadows and size contrasts that do not make sense. These contradictions become dreamlike/nightmarish because they conflict with the otherwise classical style – things look ‘normal’ but aren’t.
His work has influenced my work particularly:
Project 1.4 Visual Depth
and some of my town images in Aldeburgh in
Assignment 4 Town and Marsh
Holzhey, M. Georgio De Chirico: The Modern Myth, Koln, London, Los Angeles, Madrid, Paris, Tokyo, Taschen.