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2.1: Bridge 2: Landscapes of Place posts 3.1 Visual dynamics: Lost on the Way to Zennor 3: Text and Image: Woman Lost posts 5.2.1 Bridge Edgelands posts 5: Presentation: Zemni 2021 posts

Hiroshi Sugimoto

Hiroshi Sugimoto is a contemporary Japanese photographer, born in 1948 and dividing his time between Japan and New York. His use of an 8×10 large-format camera and extremely long exposures have given Sugimoto a reputation as a photographer of the highest technical ability. He has spoken of his work as an expression of ‘time exposed’, […]

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2.1: Bridge 2: Landscapes of Place posts 5.2.1 Bridge Edgelands posts 5.2.2 Aldeburgh Great Escape 5: Presentation: Zemni 2021 posts In Process

Daido Moriyama

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2.2 Shutterscapes 2: Landscapes of Place posts 4: Audience: Kyrgyzstan posts 5: Presentation: Zemni 2021 posts Inspiration Photography

Stephen Shore

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2.2 Shutterscapes 2: Landscapes of Place posts 3.1 Visual dynamics: Lost on the Way to Zennor 3: Text and Image: Woman Lost posts 5: Presentation: Zemni 2021 posts In Process

Fay Godwin

!! to update with my own detailed thoughts on Land, The Edge of the Land and Our Forbidden Land as I critique my own work in Assignment 5. Publications Fay Godwin (17 February 1931 – 27 May 2005) was a British photographer known for her black-and-white landscapes of the British countryside and coast. Her approach was very intuitive and […]

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2.2 Shutterscapes 2: Landscapes of Place posts 5.2.2 Aldeburgh Great Escape 5: Presentation: Zemni 2021 posts In Process

Martin Parr

Martin Parr  is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world. Martin Parr (born 1952) trained in photography […]

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1: Voice posts 3: Text and Image: Woman Lost posts 5: Presentation: Zemni 2021 posts Inspiration Key inspiration

Female Gaze?

“I have had to go to men as sources in my painting because the past has left us so small an inheritance of woman’s painting that had widened life….Before I put a brush to canvas I question, “Is this mine? Is it all intrinsically of myself? Is it influenced by some idea or some photograph of an […]