To be done based on books I have
To be done based on books I have
My daughter bought me ‘Where My Wellies Take Me’ I really like the wistful dreamy style of this. Also her detailed Drypoint and collage in other works.
Want to do a proper analysis of this one and try out some of her techniques in my work on Aldeburgh – that place is particularly suited to her type style.
Eric William Ravilious (1903 – 1942) was an English painter, designer, book illustrator and wood engraver. He grew up in East Sussex, and at the Royal College of Art (1922–5) was taught by Paul Nash and became close friends with Edward Bawden. In 1939 he officially served as a war artist, and died when the aircraft he was in was lost off Iceland.
He is particularly known for his watercolours of the South Downs, empty rooms and war paintings. His use of watercolour and limited muted palette to capture light, often overlaid by crayon lines, has a beautiful shimmering quality. He uses exaggerated perspectives, unusual viewpoints and abstract shapes to create drama, suspense and movement. The effect is often haunting – reflecting a mix of nostalgia and foreboding in the world destroyed by the war.
CONSTABLE, F. & SIMON, S. 2003. The England of Eric Ravillious, Surrey, UK, Lund Humphrey.
Dulwich Picture Gallery exhibition 2015
Selected images to music
His use of two point perspective – slightly off – creates a feeling of claustrophobia, uncertainty and unease. The eye goes first towards the bed, strangely reflected in the ceiling of a windowless room. But then is taken down the empty corridor that appears to go upwards to nowhere and round a corner to the light. Is this an escape? Or a dead-end to nowhere? Or worse?
Official website: http://www.mcescher.com
Piller, M., Elliott, P. & Peterse, F. 2015. The Amazing World of M.C.Escher, Edinburgh, UK, National Galleries of Scotland.
Maurits Cornelis Escher (1898-1972) played with architecture, perspective and impossible spaces. He aimed to show reality is wondrous, comprehensible and fascinating. During his lifetime, made 448 lithographs, woodcuts and wood engravings and over 2000 drawings and sketches. Apart from being a graphic artist, M.C. Escher illustrated books, designed tapestries, postage stamps and murals.
He also made more realistic work during the time he lived and traveled in Italy. Castrovalva for example, shows Escher’s fascination for high and low, close by and far away. The lithograph Atrani, a small town on the Amalfi Coast was made in 1931, but comes back for example, in his masterpiece Metamorphosis I and II.
Rembrandt had a studio with fantastic quality daylight; the window light was soft and he used reflector sheets to bounce light back where he wanted it. In other words he used soft controlled light which is what the studio softboxes of today http://www.rembrandthuis.nl/cms_pages/index_main.html
Exercise: The Night Watch
The painted portrait had to show the viewer what was important either to the sitter or the creator. This was done in some cases by pose, in some by costume or uniform or significant items with inherent meaning, or simply by position – being higher up than others or at the optimum positional point of the image. Look carefully at Rembrandt’s famous painting The Night Watch, commissioned by Frans Banning Cocq, the figure in the centre foreground.
Before you follow the link below, make some notes in your learning log about how the artist uses the elements listed above (background, pose, clothes, props, light). What effect does
he create? What does the portrait say about Banning Cocq?
Look particularly at the use of light and dark in this huge portrait. How might you create similar effects photographically?
Now follow the link: https://www.youtube.com/watch?v=N9jj74aOr_Q