I am a graphic artist, photographer and printmaker based in Cambridge, UK.
Image-making is my way of exploring and experiencing life and discovering new ways of looking at things. Some of my work is political. Some emotionally dark. Other more ‘fun’ work aims to help myself and others ‘look on the bright side of life’.
I work in a range of media. The basis is generally photography or sketching and painting in natural media or on my iPad. These images may then be combined and further developed in different printmaking media, digital software or collage. Some of my work is more experimental and abstract, exploring the range of intentional and accidental effects that can be achieved in different media.
Much of my work has been around journeys and social and political issues in Africa and Asia connected to my professional work as consultant in participatory development. My current work increasingly focuses on issues nearer to home – the social and environmental challenges we face and my own place within that. Alongside my own artistic practice I hope to support processes for collaborative art, photography, video and web communications as part of peoples’ own documentation of their lives, building on my participatory work overseas.
About this blog
Zemni Illustration blog brings together my work, research and thoughts for Open College of the Arts Visual Communications level 3 module: Advanced Practice. The issue of Brexit has loomed over the whole period of my work on this module. As my own sense of identity has always been ‘global European’, the thought of suddenly becoming narrowly ‘English’ or even ‘British’ fills me with claustrophobic dread. Particularly at a time in my life when health issues restrict my travel beyond Europe. My work on this blog is an attempt to reconnect with some of the more beautiful, funny and light-hearted aspects of Britain, as well as dealing implicitly or explicitly with some of the serious social and environmental issues we face.
Much of the work is concerned with ideas of ‘Place’. Whether image-making is based on illustration or photography or even where the aim is ‘objective documentary’, many choices are made in terms of what is communicated and how image design and technical aspects of the particular medium can enhance that communication. I aim to pose some serious questions about our lives in England, our use of the environment and the ways in which we relate to each other – posing the same questions here as in my international work.
Assignment 1 starts to looks in more detail at my practice and explore what might be meant by my distinctive ‘Zemni Voice’. How a socio-political approach to reportage, landscape and life sketching might link to or complement the more ‘fun’ aspects of the work I want to do.
Assignment 2 ‘Landscapes of Place’ revisits earlier work and develops new work around the idea of ‘landscape’ and ‘landscaping’. It focuses on developing my skills in digital photographic software to produce photographic images in their own right, and also as the basis for further development in printmaking media like photo-screen, photo-lithography, cyanotype and gelli-plate transfer. It also starts to look at issues in creating documentary narratives in the form of photo books and on-line web galleries and slideshows.
A3 Photoscreen prints. Click on any image to see carousel with details.
‘Bridge’ revisits a stone lithography print from Printmaking 2 Project 1.1 ‘Natural Landscapes’ that asked me to explore the contrasting forms and shapes of natural as compared to human/urban landscape. Although tutors considered it a good print technically, it is too ‘picturesque’. I wanted to revisit and extend this project through combining and contrast natural and human landscape elements in the context of discussions around psycho-geography and ‘Edgelands’. Using existing and new photographs of the A14 Road Bridge, I extend my technical skills to produce a series of five A3 photo-screen prints. In the process I developing a much bigger series of black and white documentary photographs in Lightroom and SilverFX, before selecting and processing the five prints in Photoshop for the printing plates. These images are further developed in a range of printmaking media, and combined with other images of the river as a photo book in Assignment 5.1.1 ‘River Reflections’.
This second part of Assignment 2 ‘Shutterscapes’ builds on the previous project, around the idea of ‘landscaping’ using existing and new images from my photo collection from Cornwall, East Anglia and Northern England. The brief is to focus on technical skills rather than ‘meaning’. My main aim is to further develop my photographic software editing skills to professional standard, linked to initial submissions to stock photography agencies and identification of further potential markets for higher end landscape photography. Inspired by other landscape photographers, I explore different styles of landscape photography and how these can be digitally replicated using Adobe Lightroom and different Nik FX components: Viveza, Color FX and Analog Pro as well as extending my skills in SilverFX to work with low quality jpg images for artistic effects. I then take some of the images into Photoshop to develop images for printmaking.
- 2.2.1 Suffolk Edges 1: Aldeburgh revisited
- 2.2.2 Suffolk Edges 2: Orford
- 2.2.3 Norfolk by the Sea 1: Winter Sea-side
- 2.2.4 Norfolk by the Sea 2: Shifting Coast
This third part explores different approaches to combining text and image. Based on photographs, collage and sketchbooks of Cornwall, I use natural and digital media to communicate my personal responses to place.
- 3.1.1 Orange: Visual Dynamics revisited
- 3.1.2 Blue: maximum, minimum and ‘just right’
- 3.1.3 Lost on the Way to Zennor
- 3.2.1 Finding texts: ‘Cornwall on a Side Saddle’
- 3.2.2 Finding Texts: ‘Fairies from the Dark‘
- 3.3.3 Finding Texts: ‘Island’
- 3.3 Developing content: Love and Other Islands
- Assignment 3: Teetotal Street
Part 4 focuses on developing my artistic voice in relation to different types of audience. I focus on Cambridge where I live, aiming to produce and promote work that looks at social and environmental issues in the city – one of the most unequal places in Britain. I explore different ways of engaging with other people to deepen my understanding of place, and the different ways of communicating my ideas to make my work more engaging and impactful to ‘make the world a better place’.
This final Assignment will bring together my different bodies of work focusing on ideas of ‘This England’ in the context of re-evaluations of English identity around Brexit.
5.1.1 Edges Revisited
Here I finalise and take forward work from East Anglia, Cornwall and Cambridge from Assignments 2, 3 and 4 that I think might have a potential local or wider audience and market based on feedback.
I start by developing a series of ‘sketchwalks’ – concertina sketchbooks and/or revisiting and extending existing sketchbooks. Drawing on discussions in psychogeography and deep mapping, I use the sketching process as a means of exploration and social and environmental questioning. I then use these sketchbooks to better inform what I am trying to say and how in my photography, collage and printmaking and other work.
5.1.2 This England
This second part brings together material on other parts of England that I have been working on sporadically during this course, but not yet developed. I focus particularly on bringing together my work so far on iconic British landscapes of Lake and Peak Districts, and start to look at future possibilities for animation, video and interactive experiences:
- Green and Pleasant Land: slideshows using photographs of Troutbeck, Derwentwater and Ullswater in the Lake District.
- Hagg Wood: using sketchbook, photography and video from Hagg Wood in Holmfirth Peak District linked to Woodland Trust and research on ‘Life of Trees’.
These final projects will update my Printmaking blog and professional Zemni Images website upload video to a new Zemni You Tube or Vimeo channel.
Other blogs and websites
This Advanced Practice module complements other more political work based on my professional work in international development that is developed in other modules for this degree. This blog complements and links to my other blogs and websites:
- Zemni Images blog a portfolio site that showcases the best work from my previous and current Visual Communications courses.
- Visual Communication for Development looking at issues in my professional work in international development for the OCA Visual Research course.
- Zemni Printmaking being developed and updated from my OCA printmaking courses.
- Zemni Photography from OCA photography courses I tool as a leisure student
- Zemni Images professional website that houses high resolution images of my Visual Communications portfolios and my photography portfolios and archives.
- Gamechange Network consultancy blog that houses and links outputs from the different projects and partners I have worked with.