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2: Landscapes of Place 6.1: Road to Cabanatuan 6: JourneyasBeginning Photography Technique

Lightroom Black and White

Black and White landscapes

Using built in profiles for quick different looks.
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2: Landscapes of Place 6: JourneyasBeginning Photography Technique

Lightroom Workflow

Snapshots, Virtual Copies and Stacking enables effective exploration of different versions.
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2.2 Shutterscapes 2: Landscapes of Place Photography Technique

Photoshop: jpg artifact and noise reduction

A very basic explanation of removal of jpg artifacts in the Noise Reduction filter, discussing the potential tensions between different aims. Improves, but does not produce a high quality image.
An interesting approach using Lab Colour mode to separate out the lightness, colour and contrast channels of the image. Artifacts are most evident in the colour and contrast A and B channels. Add Gaussian blur to A and B channels. Higher values give a sort of watercolour effect. Sharpen the lightness channel. Go back to RGB at the end to use filters etc again.
Duplicate the image. On top layer use surface blur – avoids blurring the edges. Change to colour blend mode to get rid of colour noise. Mask areas if necessary. Duplicate again and use dust and scratches filter gets rid of luminance noise. Again use masks to [reserve details. Duplicate again and Reduce Noise filter and use preserve details slider.
Uses Dfine and Lumensia combined in Photoshop.
Uses multiple images as layers and image average.

Categories
2.2 Shutterscapes 2: Landscapes of Place 6.1: Road to Cabanatuan 6: JourneyasBeginning Photography Technique

Photoshop sketch and line drawings

Jesus Ramirez Photoshop Channel
1) isolate model from background eg select subject and click on add mask. refine selection.make smart object.
2) Duplicate: original, base,
3) duplicate, invert .colour dodge blend. Gaussian blur filter eg 31.8. black and white adjustment layer Charcoal filter. blend mode multiply
4) Lines layer: duplicate BW, glowing edges,invert, multiply blend. levels. blend if to hide detail.
5) Fine tune with mask
6) Add some fine pencil lines with brush tile ultimate pencil
7) Can then replace the original image in the smart object and re-edit the smart filters
Piximperfect.
1) Create the surface and base image. Mask areas you do not want.
2) Pencil sketch filter Graphic pen . use blend if to vary blackness. Split slider. Decrease opacity. Add a bit of blur .3
3) New layer pencil outline Kyle Ultimate pencil. Clip layer to sketch, so is never darker than under sketch. Can turn off pencil layer top follow the underlying photo if wsnt.
Normal colour dodge approach: BW, BW, copy, invert, blend colour dodge, filter Gaussian Blur
His approach:
Smart Object layer ‘Shadows’
#3 filters: Copy, Gaussian Blur, High Pass, Sketch/notepaper 0 0 25 Levels adjust
Shadows layer: charcoal filter. multiply.
Can add paper texture. Multiply.
Can change image.
Tony Harmer ‘The Design Ninja’ approach.
Uses 1 Smart Object layer
1) Gaussian blur. dial in large value (eg 50) Divide blend mode
2) CRaw filter. Black and white.
3) Can add glowing edges. Subtract blend.
4) Oil paint filter
5) fine tune with local effects using CRaw adjustment brush on new layer
6) Can change the image through re-linking the base file.
Colin Smith Photoshop cafe
1) Duplicate layer CSU black and white Colour Dodge. Gaussian Blur
2) Duplicate again invert
3) Combine to layer group and duplicate. Blur top layer even more. Blend top group to darken. Reduce opacity in top layer
4) Duplicate top layer group increase top blur a lot. Add layer mask, fill black and paint in. Largeish brush 30%. Additional details in face and hair.
5) Select everything SACE for sharpening mode. Overlay blend. High Pass.
Uses brushes and masks.