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2.2 Shutterscapes 2: Landscapes of Place posts 4.1 Photographic creativity 4: Audience: Kyrgyzstan posts 5: Presentation: Zemni 2021 posts In Process

Colour Photography: styles and creativity

Early colour photography processes produce a feeling of nostalgia for a by-gone leisurely time. As in monochrome photography this ‘elite impressionist aesthetic’ can be enhanced through for example use of chiaroscuro and light, smearing vaseline on the lens, adding brushstrokes or scratches to the film in development process. In colour photography particularly the aesthetic is […]

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4.1 Photographic creativity 4.3 Light and Shadow 4: Audience: Kyrgyzstan posts 5: Presentation: Zemni 2021 posts VisCom3 : Shifting Edges

Abstract Photography

Ernst Haas high contrast and use of motion blur through slow shutter speeds leads to abstraction of movement. https://youtu.be/EGWcoGl9wyc Uta Barth

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2: Landscapes of Place posts In Process

Colour theory

Cambridge in Colour: Colour Management Resources: Cambridge in Colour:  Colour Perception Color can only exist when three components are present: a viewer, an object, and light. Although pure white light is perceived as colorless, it actually contains all colors in the visible spectrum. When white light hits an object, it selectively blocks some colors and […]

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2: Landscapes of Place posts In Process Theory

Colour theory

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. Albers  Interaction of Color 1963 p1 Our perception of colour depends on both physical factors relating to the way the eye registers light and more psychological and […]