Sources Cambridge in Colour: Colour Management and Printing series Underlying concepts and principles: Human Perception; Bit Depth; Basics of digital cameras: pixels Color Management from camera to display Part 1: Concept and Overview; Part 2: Color Spaces; Part 3: Color Space Conversion; Understanding Gamma Correction Bit Depth Every color pixel in a digital image is created through some combination […]
Tag: colour
Reality/surreality/hyperreality. Mechanical vs art. Looking back from digital colour and high levels of control. Capturing images is now so easy. And possibilities of control at shooting and processing stages so broad. Often lose the aesthetics and meaning. Pinterest Board B Calder Bored Panda First Color Photos See also: Abstract Photography Photoshop artistic effects Early photography: […]
Ernst Haas high contrast and use of motion blur through slow shutter speeds leads to abstraction of movement. https://youtu.be/EGWcoGl9wyc Uta Barth Glenys Garnett Abstract Photography presentation at Cambridge Camera Club 2021. Look at You Tube
Cambridge in Colour: Colour Management Resources: Cambridge in Colour: Colour Perception Color can only exist when three components are present: a viewer, an object, and light. Although pure white light is perceived as colorless, it actually contains all colors in the visible spectrum. When white light hits an object, it selectively blocks some colors and […]
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. Albers Interaction of Color 1963 p1 Our perception of colour depends on both physical factors relating to the way the eye registers light and more psychological and […]