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5.1 Wish You Were Here 5.1.1 Aldeburgh In Process

Tessa Newcomb

http://www.thompsonsgallery.co.uk/artist.php/Tessa-Newcomb-330/

Paris

distinctive quirky illustrations: oil paint, watercolour, lithographs. Pencil on oil. Or pencil and watercolour.

I paint Paris how I want it to look. A Paris drawn from films, books, poems. Fewer cars, less noise and stress, better clothes, nicer notice boards – or that’s what I like to imagine. I use selective vision.

flat and skewed perspective. A lot of neutral pastel colours.

somewhat randomly inserted. Different sizes. Captions give title, medium and size – as if they are to be sold???

somewhat random text. In chapters, but without clear narrative. Little vignettes with illustration.

how I see paris

gold

glass

markets

spaces

dogs

doorknobs

Interview with Tessa Newcomb

http://www.bridgemanimages.com/en-GB/all-the-news/interview-with-tessa-newcomb

 

Categories
In Process

Per Kirkeby

Danish painter, sculptor and writer. In 1962 he entered the Eksperimenterende Kunst-skole (Experimental Art School) in Copenhagen.His first important one-man exhibition abroad was at the Museum Folkwang, Essen, in 1977. He later exhibited widely at public and commercial galleries throughout Europe and the USA.
A prolific artist, Kirkeby used a range of different media. He was a member of the Fluxus group and was influenced by Pop art in the 1960s. Later he was influenced by Tachism and Abstract Expressionism. The vigorous brushwork and chromatic beauty of his, mostly untitled, paintings and the sensuous modelling of his rough black bronzes have earned him the title ‘lyric expressionist’. The paintings, which tend towards the abstract, bear veiled iconographic reference, largely to the Danish landscape and the female figure.
In contrast to the poetic and dramatic character of his paintings and black bronzes Kirkeby’s brick sculptures display an unusual clarity. They make strong reference to traditional Danish housing and are inspired by Mayan architecture, as in the house-like, symmetrical form (1973) at Ikast, Denmark. In 1981 Kirkeby completed a group of such sculptures for the County Council building in Ålborg. His concern with experiment and conceptual art led him to execute a series of works in chalk on blackboard, and he regularly published poetry, essays and travel books, as well as making television and full-length documentary films. He also produced many artist’s books, such as the ‘picture novel’ Landskaberne (‘Landscapes’; Copenhagen, 1969).
Bibliography
Per Kirkeby: Übermalungen, 1964–84 (exh. cat., Munich, Kstraum, 1984)
Per Kirkeby: Skulpturen und Bilder (exh. cat., Zurich, Gal. Knoedler, 1985)
Per Kirkeby: Retrospektive (exh. cat., Cologne, Mus. Ludwig, 1987)
Per Kirkeby: Pinturas, esculturas, grabados y escritos (exh. cat., Valencia, IVAM Cent. Julio Gonzalez, 1989–90)
‘Per Kirkeby’, Louisiana Revue, xxx/3 (1990) [whole issue]
JENS PETER MUNK

Categories
5: This England In Process

L S Lowry

source Wikipedia and Google images

Laurence Stephen Lowry (1 November 1887 – 23 February 1976) is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. Many of his drawings and paintings depict Pendlebury, Lancashire, where he lived and worked for more than 40 years, and also Salford and its surrounding areas.

He developed a distinctive style of painting urban landscapes peopled with human figures often referred to as “matchstick men”. He painted mysterious unpopulated landscapes, brooding portraits and the unpublished “marionette” works, which were only found after his death.

Going to Work

The Derelict House
Categories
In Process

Sickert

Camden Town Murders

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In Process

De Chirico

Giorgio de Chirico (1888 – 1978) was an Italian artist and writer most famous for the eerie mood and strange artificiality of the cityscapes he painted in the 1910s. His style is characterised by haunting empty streets with multiple vanishing points, shadows and size contrasts that do not make sense. These contradictions become dreamlike/nightmarish because they conflict with the otherwise classical style – things look ‘normal’ but aren’t.

Sources

Holzhey, M. Georgio De Chirico: The Modern Myth, Koln, London, Los Angeles, Madrid, Paris, Tokyo, Taschen.

WikiArt

Wikipedia